Film Review: Eighth Grade

I’m no film expert or critic. I’m not exactly in the position to preach anything about the cinematic experience, about what makes something artistically “good” or “bad” – although I’ve done that before and will most likely do it again (refer to my Stealing Beauty movie review from many moons ago). Instead of trying to get all the right words out, I’d rather delve into how Bo Burnham’s directing debut actually gave me an anxiety attack, #triggered me, if you will. Please spare me the eye-rolls and hear me out.

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The film centers around Kayla Day, a present-day insecure, stuttering, social media- addicted, and unavoidably lovable eighth grader walking through her last week of middle school. The subdued fire inside her that she fights to make seen is one of the many personality traits I connected to from the beginning, recalling all the time I also spent alone trying to enhance my personality and prepare for the performance of everyday life. The embarrassment and disappointment Kayla feels when class superlatives are announced and she’s labeled “Most Quiet” strikes a harsh chord for anyone who’s ever been deeply misunderstood. I remember being told that I was “mysterious” in high school. I remember feeling like I was easy to forget in contrast to the look-at-me personalities who dominated the stage at all times with ease. Like Kayla, I wanted the attention too, and knew I could own it when the timing was right – but anxiety forced me into a shell. In the confines of my room, on stage during dance recitals, in front of the camera when no one was looking, and in the safe embrace of my journals, I came alive.

Kayla’s overwhelming urge to be seen and liked, the to-do lists and talking points written on sticky notes throughout her bedroom and bathroom, the YouTube Channel used as an outlet to transform into her “better” and more confident self, poignantly shed light on all the ways people with anxiety incessantly try to improve, even from as early a stage as puberty. The powerful reality of this portrayal is truly a testament to Elsie Fisher’s acting chops. She fully embodies the sense of urgency and desperation throughout, which makes the viewer impatient for her moment in the sun too.

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I shed one tear of many when Kayla courageously chooses to sing karaoke in front of her classmates instead of bail from a pool party hosted by a fellow and more popular eighth grader. This particular character’s lack of empathy, and her blinding desire to be cool shoved me into memories I had blocked out for many years. All of a sudden, I was reminded of every time I had been inhumanely judged and treated like less for being myself. For instance, that time in eighth grade one of my earliest friends from elementary school refused to sign my yearbook in front of two of the “coolest” guys in middle school because, at that point, she had grown too popular to be seen acknowledging me. I was “weird” and she was “normal”. That was that. I swallowed my pride and walked away. I believe that was the day I realized what it meant to be a sociopath, blatantly devoid of empathy, and that I would always be different (Is that too harsh an insult for a thirteen-year-old girl? Oh well!). With that being said, I was blown away by Kayla’s ability to stand up and sing in front of her judgmental classmates, even though she knew they could eat her alive. Miraculously, we watch as her classmates actually smile along and get hypnotized by her enigmatic light for that one song – the first of many moments when she lets herself be seen. The scene is truly a testament to the power of conquering your fears, a skill we develop and reap the benefits from at any age.

As the movie plays out, we watch Kayla develop her own version of confidence. She finds a way to finally talk to her crush during a school shooting emergency drill, meets up with her new high school friends at the mall, and eventually speaks up for herself when one of the high school boys forces himself on her. Though it takes her a while to say ‘no’ to him, the self-assuredness in her voice when she does is enough for him to stop. It’s a heartbreaking moment in the movie to watch, because anyone who suffers from anxiety empathizes with the mental juggling she has to get through all at once: wanting to appease this older guy, fearing for her social life that he’ll talk shit about her to the new friends she desperately wants to keep, and, most important of all, the part of her that is deeply uncomfortable and wants to tell him to back off. The fact that this scene is drawn out for so long conveys the reality and horror of what can unfold when you’re battling with too many inner voices at the same time. I’ve been there, and I know countless others have too.

Eventually, after all of this, we get to a scene where Kayla and her dad burn a shoebox full of memories she had saved in the 6th grade for her 8th grade self. This is the moment that triggered my own anxiety in such a way that had me crying and unsettled for a couple of hours after we left the theater. As Kayla burns her past belongings, a symbolic act of self-destruction in which she burns away her past and a lot of her present self in the process, she asks her dad if he is ever saddened by her existence. His reaction, his desperate need to nurture a deeply embedded sense of insignificance, is perfect.

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He reminds Kayla that everything she had accomplished, all of the genuine kindness and creativity inside her, was hers alone – traits he watched her develop in awe without his guidance. Regardless of how little she saw in herself, he would always be her biggest fan. This hit me hard. I often looked for this reassurance in my parents growing up too. I carried the guilt of feeling like a disappointment, like if I could just be better, if I could just be more extraordinary, everyone in my life would be happier. It often plagues me that so many people carry the weight of this pain, a version of self-criticism that can lead to more pressing mental health issues down the line. As I left the theater, I realized that I was still a version of my middle school self: insecure, afraid, and full of guilt at times. It made me realize that we never stop evolving and that’s why Bo Burnham’s Eighth Grade stands the test of time. It’s about being human, wanting to be seen, and fighting the good fight.

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A Wake-Up Call

Candid thoughts from a solo trip to Austin, Texas, during SXSW

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My boyfriend of a year and I broke up about a month before spring break in 2016. The loss of him in my life shattered my reality. I became numb and indifferent. I lost sight of my responsibilities, drank too much, and started to slip drastically in school. My friends were trying to fill a void and pick up the pieces all at once. My parents were calling every day to check in, asking if I was sober and going to my classes. I wasn’t.

I had been in touch with them about my plans to travel over spring break and they knew it was part of a travel writing class project. They were also well aware that I desperately needed to get away. It was my dad’s idea for me to stay with my cousin, Maria, in Austin, Texas. We often hosted her in our house when she made her way from Portugal to The States for various solo trips of her own. She had always said that, when my time came to explore, I’d have a place to crash. I was looking into other options as well, but something about Austin during the South by Southwest (SXSW) Music, Film and Interactive Festival spoke to a part of me that had been buried for too long. My parents knew this. I clung desperately to the possibility that time away would wake me up from a deep slumber.

I gave myself over completely to being in love and lost half of myself along the way, not because he ever forced me to but because I was too eager to please. I prioritized him over myself and began to feel like I was disappearing. The half of me that had been raised unconventionally by a rock and roll father and a gypsy, belly-dancing mother grew small. In short, I subconsciously began to shed some of the “weird” from my identity.

In order to remember who I was, I clung to memories of summer days when my parents hosted parties in my childhood home. When the day grew dark, friends would make their way from our yard to the basement for secret adult jam sessions that never failed to peak my curiosity. I dreamt of being down there with them. My little cousin, Dylan, and I would play “spies” and creep down the stairs like mice, hoping to catch a glimpse of the magic coming from the basement through thick clouds of smoke. I marveled, wide-eyed, at the shadows of bodies dancing, the cacophony of grunge music blaring from inside, and the overlapping voices engaging in the kinds of conversations I was too young to understand but wanted to be a part of.

Sometimes, if I was lucky, my parents would let me say goodnight to everyone before bed. To ten-year-old me, that was like being handed a VIP pass to the sold out concert in our basement. I made the best out of the time I was given. I would engage in conversations with artists, musicians, writers, and listened intently. I’d jam out on the drums with my dad’s band, soaking in encouragement from people I respected. By the end of the night, I would lie in bed going over everything that had happened. I would fall asleep to the sweet sound of music and laughter coming from below me. I knew that was my world. I felt fulfilled.

For a year, while I was lost in a relationship, I struggled to find that same sense of fulfillment that tied to the roots of who I am. I neglected my needs, desires, and passions. It was as though I had become an extension of someone else who kept growing and evolving while I remained stagnant. I was free-falling. I thirsted for finding my place or purpose again and made the decision to be alone so that I could begin a new journey without anything or anyone clouding my judgment.

I landed in Austin at midnight on Sunday, March 13th. Only an hour after I arrived on southern soil, Maria and I found ourselves weaving through thousands of people on 6th Street in downtown. The city was overflowing with drunk people, rock and house music blaring from every corner. I passed and bumped into over a dozen musicians lugging around heavy amps and guitars from gig to gig. I watched a handful of girls in stilettos make their way to clubs; one tripped over her friend’s dress and they both went down like dominoes. My eyes darted to the obvious poverty as well, the homeless men and women wrapped in blankets, trying to sleep on the concrete as party-goers walked around them. This was downtown Austin during South By Southwest. It was chaos! It was alive. The city slapped me in the face, and I had only just arrived.

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I knew Maria from the handful of times she came to stay with us throughout my life. We’d always catch up on a few things but she was never around long enough for us to truly get to know one another. I saw her as this poised, elegant, and naturally beautiful enigma. She was independent, always traveling and building a successful life for herself. I admired her. Maria had only been living in Austin for a couple of months. Within that short amount of time, she had rented what I deemed the “Snow White Cottage” in all its mythical stone-lined glory, landed a grueling yet rewarding job as a teacher at a juvenile detention center, and attracted a rock lead singer and guitarist hottie who only lived a couple blocks away. Within this seven-day period, the two of us bonded and connected like old friends. We laughed and opened up to each other about our personal lives during every car trip back and forth from downtown. I felt at home in her presence. Most importantly though, she gave me space. Whatever independent spirit hid in the depths of me, she conjured it out. She encouraged me to explore the city on my own while she was off healing lost children. Maria inspired me with her own stories about traveling alone and forming friendships with strangers. I told myself that if she could do it, I could too.

On my last day in Austin, from about one in the afternoon to nearly three in the morning, I explored the city until my legs were numb and my Vans ripped at the toes. I went in and out of endless “Keep Austin Weird” vintage shops, sneaking pictures and pretending not to see the signs urging me to do otherwise.

At the end of South Congress Street, I walked into what seemed like a thrift store, took a quick look at the abundance of Halloween costumes surrounding me in the middle of March, and was on my way out when the cashier pointed out my shirt.

“Are you wearing that for the concert tonight?”

His question threw me for a loop. By chance, I had grabbed my favorite Deftones band-tee out of a pile of clothes that morning. Surely there was no way they were actually here for South By Southwest. I would have known this. I would have bought my concert tickets way in advance. I told him, “I didn’t see them on the lineup.”

Turns out the universe has a great sense of humor. The headliner for the massive Lady Bird Lake concert caught the flu, and the Deftones, already on tour, filled in last minute. One of my favorite bands of all-time was going to be in Austin at 8 PM. The kicker? It was a free show.

I had some time to kill before the concert and decided to head to a bar I’d walked past a few times. The entire place, inside and out, was something out of a fairytale. All of the eccentric and beautiful musicians congregated there like woodland elves in need of a pre-show potion, or many. With my head held high, I walked straight to the bar and sat down; on my left were two traveling ladies in their twenties and on my right was a woman holding the margarita I should have ordered instead of a Corona. It was my last day in the city and I had been in and out of bars alone a few times. I knew what to do. I heard Maria’s voice reminding me to let gobe open, and dive in. I introduced myself to all three women sitting next to me and, before long, neither one of us could shut up. As fate would have it, I quickly discovered that one of my new friends was from Boston like myself. She worked for the successful brand, Timberland, and was attending the festival with a few of her coworkers. “What do you do? Who are you with?” she asked. I explained the writing project, the fact that I was traveling by myself for the first time, my plans to write for a living in the future, everything. She listened intently and explained that many companies, now more than ever, were on the hunt for writers – young, friendly, and charismatic people to go to events like SXSW and document their experiences. My eyes widened. She encouraged me to keep writing, to start a blog, and to reach out to her as a friend in the industry. There I was, receiving words of encouragement from someone I had already grown to respect. I was forming connections, talking about art, music, my future, and began to feel my pieces getting sewn back together again.

I exchanged numbers with my new friends, left a tip on the wooden bar, and set off on the next journey toward Lady Bird Lake for the concert. I couldn’t have timed anything better and was one of the first people to land a spot only fifteen feet away from the largest stage in Austin. That’s what happens when you’re a tad early and the last-second “secret” Deftones concert hasn’t reached everyone’s radars yet. I stood patiently and watched as, slowly but surely, thousands of people came flooding in. What was once a vast green landscape quickly became a boisterous cluster of hipsters. Beside me, while waiting for the show to start, I met another band from California who had just left their gig to watch one of their main inspirations in action. “I can’t believe they’re here!” they kept repeating. They complimented my shirt and, suddenly, I’d made new friends. We instantly hit it off and they promised to protect me from the moshing when the time came. Turns out I wasn’t experiencing this concert alone at all.

An hour later, at the peak of the show, I was merely a tiny speck – shaken fully awake within a sweaty mass of screaming, dancing, and moshing fans. Every hair on my body stood high throughout the entire concert. I was in the thick of it, smack dab in the middle of the action. The combination of exhilaration, euphoria, and the fear of being shoved to death by a two-hundred pound moshing meathead, made for an out-of-body experience. I felt myself bleed into the moment as if the night was infinite. At one point, Chino Moreno, the lead singer, walked among the audience and his arm grazed mine. I must’ve asked myself how any of this was real about a thousand times.

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The show ended too soon and I thirsted for more as the sea of people dispersed. I  searched for the band I’d befriended, but they were nowhere to be found. I followed the mass back into downtown, still running on a high from what had just happened. Eventually I found my way back to 6th Street and decided it was time to hit up my favorite venue, just one last time for one last drink. My entire body was throbbing but this had to be done. I was on my way to the far end of 6th Street when I felt someone grab my arm. “Hey, you! Wait up!” As though the universe still had a few more tricks up its sleeve, I had been spotted within the late-night 6th Street drunk sea of chaos. My band friends from the concert picked me apart from thousands of people. “I saw your shirt” the drummer said. I couldn’t help but laugh. My Deftones shirt was a genie, granting me all my Austin wishes. “You guys want to join me for a drink at Hotel Vegas?”

If any place could recreate the same magic I felt coming from the basement during my parents’ grunge parties, Hotel Vegas was it. On the outside the venue looks like a cheap southern motel from a Quentin Tarantino film. Myself and the band got to know each other on the way there. Turns out the lead singer was Azorean and spoke fluent Portuguese, just like me. The universe, again. The flickering neon “Hotel Vegas” sign greeted us at the entrance and the five of us walked, through thick clouds of smoke, into the party I had been waiting for.

When I was ten and allowed access into my parents’ basement parties, I knew that as much as I felt part of it all, it wasn’t my time yet. Here I was brought back into that world, only now I could truly live it. I was one of the writers, talking to other aspiring writers, musicians, dancers, creative people of all kinds. We were all feeding off of each other’s energy. I danced my heart out. I let myself go completely until all of my “weird” was out for everyone to see. I didn’t give a shit about anything. I laughed until beer came out of my nose as my lead singer friend did “the Carlton” when the ‘80s music came on. The two of us attracted a crowd of dancers and all I could see was blurred bodies and light. I let that light consume me. I don’t know how long this party lasted. I don’t remember every inspiring conversation I had. What I do remember is the moment I felt myself watching this scene from afar, like a film. I realized that everything I had attracted in front of me, I accomplished on my own. I felt whole again.

Film Review: Stealing Beauty (1996)

“Stealing Beauty” Steals My Heart

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Here we go, my first film review. What better way to commence this new project of mine than to write about a movie I loved from start to finish? I’ll challenge myself later with a negative review but, for now, I have to take a moment to gush about this film.

Man, oh man. “Stealing Beauty” hit me like a ton of bricks to the chest. Originally, I was attracted to the film because young 90’s Liv Tyler, more specifically, 1996 Liv Tyler, is its leading lady. I fell in love with her performance in “Empire Records” a few years ago and couldn’t resist the opportunity to marvel at her exquisite beauty once more. There’s a unique subtlety and rawness to her work that I admire. Also, do we all remember her as Arwen in The Lord of the Rings? I rest my case.

When this movie popped up on my Netflix “Recommended For You” feed, I watched it immediately. The synopsis presented the film as a coming-of-age, which I tend to be a sucker for. This one in particular did not disappoint.

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First, I have to take a moment to hand it to my man Bernardo Bertolucci, who is quickly becoming one of my favorite directors, for accurately conveying the roller-coaster beauty that is transitioning into womanhood. What satisfied me most about this film in particular is that it ties together many key elements of maturing both sexually and emotionally. It doesn’t skip past the baggage that coincides with that process and leaves the viewer feeling more closely tied to the protagonist’s experience as a result.

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The story begins as Liv Tyler’s character, a lost 19-year-old (sounds about right) with a knack for writing beautiful poetry, Lucy, revisits the same Italian villa she had vacationed at four years prior. We first see Lucy from the gritty point of view of a stranger’s handheld video camera, filming her sleeping on the train ride to Italy. She’s drooling whilst listening to her radio and completely oblivious. Moments later, we see Lucy in a cab, writing in and flipping through her mother’s old densely filled journal. Every individual piece of the film’s opening is fastened to create the specific warmth, nostalgia and romanticism that carries through as the heart of the film until it ends.

Lucy’s journey to Italy is one with great intent. She wants to rekindle an old flame and to discover who her birth father is. Her journey is fascinating to watch primarily because the character is so well written. The aura of mystery about her makes her irresistible not only to various characters in the film but also to the viewer. Tyler mesmerizes with depth, vulnerability, and warmth.

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Lucy’s experience in Italy and the story of the film itself seems to play out in real-time. The plot of the film feels like a memory and less like it’s building up to a climax. Bortolucci manages to do this without taking away the pulse and captivity of the film, which is commendable. Though there is a distinct plot, the film focuses more on character development and imagery. All in all, there’s a sensuality about the film, the villa, the characters. Everything about it lures you into Lucy’s world. You want to be there with her. The overall film experience feels like you’re looking through a friend’s journal, as though you’re a fly on the wall.

I don’t want to give away too much more. I’ve kept this review vague because I want you, the reader, to go see it for yourself! I leave you with this: “Stealing Beauty” is honest. It does everything right, from the casting and writing to the achingly beautiful Italian villa backdrop setting that fuels the sensual tone of the film. Even the music is perfect. Needless to say, I highly recommend this film.

I love it.

I really do.

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